I’m looking at this video of Ed Paschke in the studio.
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He’s working on the famous Mona Lisa.
But he’s got it on the ground and it’s pretty much the same height as him and looks to be about 6 feet wide not even seven.
It could be a little bit wider and noticed also like a 6 x 5.5.
It’s impressive how simple he has it and I can also see all of the source materials on the corkboard’s which I have been ramping up my own self. It goes to show even 4 to 6 inches off the floor is good enough although I can’t tell what’s in back of this thing it looks pretty stable.
So then there’s the actual process which takes place by isolating an image and getting it on to the open projector in pure black and white only no color at all.
Here’s looking at you kid.
Using little finger as a point balance and ranging tool.
He also holds the source image in his hand the whole way through.
And he only put it down when he grabbed a tube of pain and when he got the paint he got it directly from the tube they never let it hit the pallet so this must be the freshest most pure version of the color and saves a lot of bullshit screwing around with a pallet and chemicals because he’s painting clearly from the tube likely from high-quality product.
Who is the paint on pure over another set of wash so basically it’s black and white and multiple other colors by the time the purple comes over the orange or the orange yellow.
He even thins it more by using his fingertip to spread it and apply.
This last image could be used as an homage painting. Due to it what he would’ve done to an image of this type.
